Briana Piedra, a young singer-songwriter, explores the deep longing for connection in her song CRAVE. It immerses you in the thoughts of two people torn between passion and stress. They want to be loved by each other, but they don’t want to give the other person any control.
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“Swing My Hip,” a new single by Londoners mUmbo, takes us on an introspective journey of what is, what was, and what may be. A soothing blend of jazz, R&B, with a smidgeon of trip-hop.
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Sarantos’ “Party in Texas” is a pure celebration of the wide-open American west. Everything about it has a festive feel to it. Sarantos does everything big in a section of the country where huge is everything. Guitar chords soar into the skies with wild abandon, as if they were pure forces of nature.
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Giada Valenti, an Italian singer, releases a single called “Every Time” on Friday, April 15. It’s a stripped-down recording with simply guitar. Paul Umbach, who has worked with Britney Spears, ‘NSYNC, and the Backstreet Boys, produced the album.
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Thematically, Pamela Hopkins ‘One Too Many’ is a follow-up to the artist’s previous hit, ‘One More Last Kiss,’ which acts as the emotional spark for the current single’s events. Following a breakup and a tearful goodbye, the lead singer has gone to a pub in the hopes of drinking her sorrows away, no matter how many drinks it takes.
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Jayd’s music wonderfully tackles topics such as mental health and anxiety, as well as toxic relationships, and ‘Lucid Lover’ digs further into these themes, resulting in a real release with which fans can identify on a personal level.
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Sarpa Salpa ‘Dreaming,’ the band’s most recent release, is a stormer of a single that examines the highs and lows of being in a current band. From its soaring, kaleidoscopic synthesisers to Marcus Marooth’s traditionally forceful vocals, the track has an amazing feeling of personality and character, which reaches a culmination during its massive, emotional finish.
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With every piece of Bowfinger showing up, C’mon appears to hit all the right notes. It’s heavy and strong, catchy and cheerful, with all the proper Rock and Indie elements. There’s a lot to dissect here, with some pretty fascinating chordal tendencies and an atmosphere of electric pleasure.
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“This one was an easy song to pitch to the kids because it’s dancy,” Dad (Ben) remarked of “Biological Clock,” “but it was difficult to get through Mum’s quality control, because it’s not a subject people normally open up about, and at one point we call her a womble.”
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Breon S.Y.N.D.E.L.’s latest record, B.E.C (Baconeggandcheese), is a Brooklyn-born hip-hop heavyweight. We’re not the only supporters flying Breon’s flag, with B.E.C proving to be Breon’s boldest release yet, with support from Earmilk, Wordplay, and Plastic Magazine.
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