Giada Valenti, an Italian singer, releases a single called “Every Time” on Friday, April 15. It’s a stripped-down recording with simply guitar. Paul Umbach, who has worked with Britney Spears, ‘NSYNC, and the Backstreet Boys, produced the album.
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Thematically, Pamela Hopkins ‘One Too Many’ is a follow-up to the artist’s previous hit, ‘One More Last Kiss,’ which acts as the emotional spark for the current single’s events. Following a breakup and a tearful goodbye, the lead singer has gone to a pub in the hopes of drinking her sorrows away, no matter how many drinks it takes.
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Jayd’s music wonderfully tackles topics such as mental health and anxiety, as well as toxic relationships, and ‘Lucid Lover’ digs further into these themes, resulting in a real release with which fans can identify on a personal level.
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Sarpa Salpa ‘Dreaming,’ the band’s most recent release, is a stormer of a single that examines the highs and lows of being in a current band. From its soaring, kaleidoscopic synthesisers to Marcus Marooth’s traditionally forceful vocals, the track has an amazing feeling of personality and character, which reaches a culmination during its massive, emotional finish.
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With every piece of Bowfinger showing up, C’mon appears to hit all the right notes. It’s heavy and strong, catchy and cheerful, with all the proper Rock and Indie elements. There’s a lot to dissect here, with some pretty fascinating chordal tendencies and an atmosphere of electric pleasure.
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“This one was an easy song to pitch to the kids because it’s dancy,” Dad (Ben) remarked of “Biological Clock,” “but it was difficult to get through Mum’s quality control, because it’s not a subject people normally open up about, and at one point we call her a womble.”
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Breon S.Y.N.D.E.L.’s latest record, B.E.C (Baconeggandcheese), is a Brooklyn-born hip-hop heavyweight. We’re not the only supporters flying Breon’s flag, with B.E.C proving to be Breon’s boldest release yet, with support from Earmilk, Wordplay, and Plastic Magazine.
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Over the course of “Looking Up at the World,” a sweeping soaring breadth emerges, relishing in Sarantos’ lyricism’s deep-seeded hope. He has a wide emotional range with his vocals. The story arc that runs throughout the song is refreshingly honest.
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Troubled Mind has the sense of a rodeo. Soul Zimon & His Kozmic Combinations’ deep Americana composition has a definite Western vibe to it, nearly fitting nicely as the background score for a climax scene in an old school desert shootout.
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Kyla Tilley Throughout the 7/8 time verses of “Bloom & Grow,” Tilley’s distinctive chaotically melodic fingerpicking performed on a classical acoustic guitar produces an uncomfortable sense of instability.
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